Electronic Breakbeat Jazz

The Electronic Breakbeat Jazz blog has been indefinitely postponed while I focus on other projects, such as Revolution Void (my EBJ music project) and my soundtrack/composition website at www.jonahdempcy.com.

I've also created a new blog dealing with electronic jazz, downtempo, breaks and nu-jazz. The new site is at breakbeatjazz.blogspot.com.

Thanks for reading!

-Jonah

nick schelle - we should have been done hours ago electronic album, independently released, 2004 A collection of songs written over four years...

I found out about Nick Schelle through the Very Tasteful site. (Very Tasteful is a comedy group that releases short films on the web). Nick does music for their videos, and also produces his own blend of eclectic electronica, incorporating funky breaks, retro electro beats and a wide range of other influences. From skimming through the album I also heard some guitars and latin percussion, but don't take my word for it, check out the album yourself! Link

This is a great electronic music blog, and I'm not just saying that because they featured my music.
Actually, that is how I discovered this site, but since then I've followed the site, and have been pleasantly surprised at the wealth of good music suggestions. (eg: izmar)

Soulseek (or slsk as it's abbreviated) is an underground P2P-filesharing program and a netlabel for independent electronic artists.

Though the focus of the label is on IDM and experimental electronic music, the filesharing software includes all styles of music, IDM being particularly popular (along with indy rock, underground hiphop and other burgeoning independent music scenes).

The P2P client itself is somewhat conventional in that you can search for files, and it's somewhat like Direct Connect in that you can browse users' files and chat.

To me, the search functionality is less useful than simply going to a chatroom for the style of music I'm interested in (I spend a lot of time in Jazz-Full CDs), and either asking what's new, or manually browsing fellow users in the chatroom. You can find a great deal of unreleased and independent material this way, and people are surprisingly helpful at offering suggestions.

You can download the latest Soulseek client for free at this address: http://www.slsknet.org

Note that this is the only valid site for downloading it; all the other sites are fakes, which will infest your computer with spyware. Be careful as 3rd-party spyware companies have created fake Soulseek homepages at all the variations of the above address (slsknet.net, slsknet.com etc) ... So, make sure you're actually downloading it from slsknet.org, the real Soulseek homepage.

This might not qualify as 'breakbeat' but it is certainly electronic and jazz. Kevin Yost blends smooth, atmospheric sounds with funky house grooves and jazz solos.

Oftentimes I'll avoid the house-jazz sound of, for instance, Rainer Truby, for being a little too smooth. But then again, I like St. Germain (especially that "put your hands together" track). So, I'm definitely open to jazzy house, if it's done right.

I guess my only problem with the Truby stuff (and some of Kevin Yost, to be honest) is that it's a bit too clean and smooth. I like my jazz to be gritty, raw, real. I just feel like some of the latin-tinged jazzy house can be too smooth.

But, I don't want to put down these guys who make it, because it's obviously crafted very well. Just, for instance, on Yost's Welcome Home, I would have really preferred the keyboard-acoustic-guitar be left out. (Reminds me of Basement Jaxx - Bingo Bango) ... But don't let this discourage you from checking out his work, I think it's really just a matter of personal taste.

I personally much prefer the gritty, unrefined aesthetic of DJ Premier, DJ Cam or Medeski Martin & Wood to the smooth, refined stuff like Truby Trio and a lot of the deep house out there. Maybe I'm just not much of a deep house fan, when it gets down to it.

Also, Yost seems to do some downtempo, groovy stuff as well, so perhaps my comment above about it not qualifying as breakbeat was misplaced. (Though, Yost's primary forte seems to be house music).

I especially like the atmospheric sounds, and some of the stuff with more depth, like What is Cool. That song, as well as the other downtempo ones, seem to have more interesting drum sounds and sonic textures, unlike the deep house material which is just too clean and purely electronic for my taste. I like acoustic drums, and hearing sounds with a bit more depth than a drum machine alone can produce.

I've only heard a few samples of his work (like this one) but I've heard enough to recommend it, for the funky improvisation, solid (albeit tried-and-true) grooves and the excellent use of atmospheric sounds and ambient effects.

(Link to www.kevinyost.com)

(I originally found out about Kevin Yost from Silver's Boogaloo)

Robotspeak is a hip electronic music equipment store in San Francisco. They put out a magazine featuring interviews with electronic musicians, as well as reviews of the latest audio equipment (hardware & software).

I just got the newest issue in the mail today (free print subscriptions!) -- it's a must-have for electronic music aficianados and producers alike.

(Link)

This is a recent Ninja Tune release I checked out recently. It's a mix of lo-fi instrumental hiphop and eclectic samples.

While not as refined as DJ Shadow or Amon Tobin, Blockhead has some good tracks that make for a pleasant excursion into downtempo sampladelia.

I like the grittiness and lo-fi aesthetic of the album, similar to the sounds used by DJ Cam and DJ Premier. La Funk Mob also use of sounds with a lot of texture. Downtown Science follows in that vein, with an eclectic mix of lo-fi beats and sonic textures.

The lo-fi textures reveal their nature as vinyl samples, of which this album has an abundance. Were it not for the advent of turntables, albums like this (and most of DJ Shadow's work for that matter) would cease to exist. Which is not to say that these albums are uncreative, far from it -- just that their aesthetic depends heavily on samples of vinyl records.

The hodgepodge of samples can be a bit abrasive at times but overall the album is a good collection of rare grooves mixed with often surprising segues.

Some of the songs are a bit "guitar-y" for me (Good Block Bad Block) and the lo-fi/indy aesthetic is taken a bit past my comfort level. But, these are balanced by warm, atmospheric tunes that are more welcoming (Serenade). Again, I should point out that I'm just not much of a fun of guitar rock guitar solos in electronic music, so your mileage may vary.

So, overall I would recommend listening to it if you get the chance , simply to hear something unusual and unique. But, I can't really recommend buying it without hearing it first, because the same elements that make it unusual and unique may also deter a large audience. There will certainly be a niche who appreciate this album, but I would definitely recommend listening before you buy.

Also, in my opinion, it just lacks a bit in the composition and production department. Some of the mixes just don't seem to jive that well, and the times when it is grooving kind of get corny and played out with guitar licks. I appreciate the effort and about half of the album is recommendable, but taking the album as a whole, I would skip more tracks than I'd listen to.

If I had to pick stars, I would give it 3 out of 5. There are a couple of great songs (Expiration Date, The First Snowfall), remiscient of Amon Tobin, DJ Shadow and DJ Cam. But, these were outshadowed by harsh beats that just didn't click with me (ie: Dough Nation, Crashing Down).

On top of that, much of the mixing and production seemed a bit off, like the kick and snare being way too loud on Crashing Down and the clave being the loudest instrument on Quiet Storm.

I don't mean to nitpick, I'm just explaining my rationale for not being able to wholeheartedly recommend it. Would I recommend listening to it? Yes. But, making it a permanent addition to your collection? Not likely. Sure, there will be a niche out there who "gets it," but for many of us the eclectic and abrasive nature of many of the songs will put us off from the album.